Decorating Ideas for Apartment. When the unit is newly built and you are the first one to rent it, it could be bare. It means it doesn’t have any cabinets and at times doesn’t have any fixtures

Rabu, 29 Agustus 2018

Herzog & de Meuron Architectural Design Project on VitraHaus

Herzog & de Meuron Architectural Design Project on VitraHaus - as the venue for the life and livelihood of the family, the house must meet the biological needs such as eating, learning, and others, as well as non-biological needs, such as chatting with family members or neighbors. in the blog Apartment interior Designs we will present many home design which is very convenient for you and your family, well now we will discuss about Herzog & de Meuron Architectural Design Project on VitraHaus please first read to completion

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Herzog & de Meuron Architectural Design Project on VitraHaus

Herzog & de Meuron is the Basel-based architects who has designed their latest modern architectural building project that is called as "VitraHaus building", a series of stacked pitched-roof boxed for Vitra’s Home Collection with a striking appearance located on the northern side of the grounds in front of the fenced perimeter of the production premises.
The VitraHaus joins two other buildings in this area, the Vitra Design Museum by Frank Gehry (1989) and the Conference Pavilion by Tadao Ando (1993). The ample size of the plot made it possible to position the new structure a good distance away from the Vitra Design Museum and adjacent gatehouse, making room for an extension of the orchard meadow in front of the buildings, a typical feature of the local landscape.
The concept of the VitraHaus connects two themes that appear repeatedly in the oeuvre of Herzog & de Meuron: the theme of the archetypal house and the theme of stacked volumes. In Weil am Rhein, it was especially appropriate to return to the idea of the ur-house, since the primary purpose of the five-storey building is to present furnishings and objects for the home. Due to the proportions and dimensions of the interior spaces – the architects use the term ‘domestic scale’ – the showrooms are reminiscent of familiar residential settings.

The individual ‘houses’, which have the general characteristics of a display space, are conceived as abstract elements. With just a few exceptions, only the gable ends are glazed, and the structural volumes seem to have been shaped with an extrusion press. Stacked into a total of five stories and breathtakingly cantilevered up to 49 feet in some places, the twelve houses, whose floor slabs intersect the underlying gables, create a three-dimensional assemblage – a pile of houses that, at first glance, has an almost chaotic appearance.



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